Origin · 2012–2026
Drawing a typeface with planes
I've spent a lot of hours on planes watching the little map on the seat-back screen, the route a long arc bending toward the pole with the plane icon creeping along it. Then I'd look out the window and see clouds. What if you could draw massive letters just by flying?
From the seat it feels like you're flying straight, and you are: the plane never turns left or right. The Earth curves under you, so the straightest line on a sphere is a great circle, and it's also the shortest. Flatten it onto a map and the shortest route looks bent, while the line that looks straight is the long way round. New York to Tokyo along the great circle is 10,852 km, up past 69.9° N over Alaska. Holding one compass heading, the map's straight line, it's 12,792 km.
Seen from one side, every great circle is the globe's rim, a line through its centre, or an ellipse touching the rim at two opposite points. So every stroke is four numbers, and that's the whole typeface.
Around 2012 I was editor-in-chief of Wander: Brandeis Abroad, a journal of writing and photography by students studying abroad, and I used the idea for its masthead. I drew the letters by hand, then traced them digitally. While I was drawing them I asked a math PhD friend whether the curves could be plotted as real flight paths. They could, but it would take far too long, so I eyeballed them.
In 2026 it took a few hours with Claude Opus 5.5, after earlier AI models fell short. Claude traced the old drawing, fitted every stroke to a true great circle, and drew the rest of the alphabet by the same rules, lowercase included. Drag across the drawing below to see how close my eyeballing got.